- #Dxo photolab 3 clone tool skin#
- #Dxo photolab 3 clone tool mac#
- #Dxo photolab 3 clone tool windows#
#Dxo photolab 3 clone tool skin#
This is generally used to even out skin tones, and make skin appear more uniform in color. Uniformity slider - Compresses or expands the colors in the range selected, making the more alike or more different.Luminance slider - Increase or decrease the Luminance of the selected hue range.Saturation slider - Increase or decrease the Saturation of the selected hue range.When a color range is selected (right screenshot), this will adjust only the selected hue range. When the “white” channel is selected (left screenshot), this will rotate all hues. Hue rotation slider - This rotates the hue through the color wheel.This is all controlled from a new Repair. But with the new DxO PhotoLab 3 HSL tool, it’s even easier than that. Feathered edge of the hue range - By moving these dots, you are expanding or contracting the extent of feathering of the color range. DxO PhotoLab 3 introduces a redesigned Repair tool, now allowing you to choose the source of your repair point, adjust the feathering and opacity of the repair, and switch between repair and traditional cloning.Photographers can now transform the source through mirroring, rotating, and scaling, or use brushes to fine-tune the area they’re editing into a more accurate shape. Primary hue selection range tool - These two inner selectors define the range of color you will be manipulating. DxO PhotoLab 6 adds the new ReTouch tool that extends the capability of healing and cloning well beyond that of other RAW processing software.Take your cloning or healing source point then quickly flip, rotate or scale it to make perfectly natural edits. DxO PhotoLab 3 has just launched, and with it come some very exciting new features the most colorful one being the new HSL (Hue / Saturation / Luminance) tool In this article I’m going to show you just what it can do. Complex retouching normally needs tricky layers and masks, but DxO PhotoLab 6 ’s ReTouch tool introduces unrivaled flexibility, letting you make all the edits you need without switching to another package. Note that each of these “chips” are presets, but each can be adjusted. Clone and repair with unrivaled flexibility. This is the color range you will be manipulating. Color channel selector (red selected) - When you choose a color chip here, that corresponding color range is selected on the hue wheel.Color channel selector (white selected) - When it’s white, you’re manipulating all. Notice how Luminance and Uniformity are disabled, as well as the hue range selector. DxO has launched DxO PhotoLab 3, the latest version of the companys photo editing software.That said, I also asked DxO to please add a regular clone stamp to the tool kit. Working with one of the support staff, I found that they do have some useful tips to offer. I've asked DxO to add more recommendations to help us get more out of the tool.
#Dxo photolab 3 clone tool windows#
The help guide only says that we should zoom in to see the result as it will appear upon export. DxO PhotoLab 3 is a Photoshop alternative for Windows that’s made for working with raw images.
#Dxo photolab 3 clone tool mac#
Unfortunately, these did not go smoothly - but I got it done. DxO PhotoLab 3 for Windows and Mac will be available until Novemfor 99.99 (Essential Edition) or 149.99 (Elite Edition). I also continue to be impressed: I selected a large shadow on grass, scattered leaves, and brick and the Repair tool cloned it out almost perfectly in one try.
I'm learning to work through them (or just use another program's clone stamp). I've especially had problems with the Repair tool along the top edge and in corners of my images. As you say, the tool was meant for small touch-ups. DxO PhotoLab 6 ESSENTIAL is a comprehensive and powerful RAW photo editor at an excellent price.
I've learned it's best to do edits a little at a time. I've gotten some bizarre results that way.
If you select a large area all at once, for instance. Depending on what you've selected, the sampling could come from far more than 100 pixels away.
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